Ombre Fun

While I made a component for last weekend’s Maker’s Market I played with glitter. I slowed down my mass production to share an easy way of creating an ombre effect that’s nearly effortless and will take every time for me.

The secret is all about your glue choice.

Growing up I always used Elmer’s Glue for sticking power. For ombre work, I find it’s the worst glue. There’s a few reasons for this, but for me the biggest problems I had was holes between two colors, awful looking clumping, and stark lines that just looked weird.

I’ve switched to using cheap watery glue instead.

Have you ever watched a professional cookie maker flood the icing to get that smooth design? Using watery glue has the same effect for creating glitter ombre!

So whether you’re new to crafting with glitter or use glitter on everything, more fluid glue is going to be your best friend. You can glue the sections you want to use one color glitter. Or you can lay down all your glue at once. The fluid movement of this type of glue is going to cause the glitter to drift a little and cause a natural blend. Not only that but if you have to go back in and add more glue because a spot was unexpectedly dry, a single drop will fill that hole and spread into the already laid glitter with no gaps.

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Laying Down the Glue All at Once

This is my favorite way of doing ombre, particularly because I want to move quickly and optimize my production time.

First I get my glitter selection lined up. This is what allows me to lay a handful of colors while the glue is still wet.

Before I lay down the glue, I also decide which direction I want my colors to run; horizontal, vertical, or diagonal.

With that all prepped, that’s when I go ahead and lay the glue. I start at one end of my element and shake the glitter side to side to make a straight line. (Or a zig zag if I want peaks and valleys.)

If I’m going to make my own color blend, I’ll go ahead and shake out all the colors at once, without stopping between colors to put them back in their containers.

However, if I’m keeping my colors true, then I’ll lay that first edge color. Then shake off the excess with the glitter side down. Put the glitter away. Then grab the next color, shake out that next line. Shake off the excess with glitter side down. And repeat the whole process until all my glitter is put away.

Just so that you can go into this with confidence, I want to share with you the colors that I used here in Welcome Fall. The first color I used was a pale gold (as opposed to the bright and bold gold you usually see during Christmas). I followed that up with a bright pumpkin orange. And the final was a cherry red. I didn’t have concerns with the gold and orange because they had a similar base color that matched perfectly. The red doesn’t look bad here. I pulled it off in the final project that this was going on. However if you ever find that you’re questioning your color choices before you glue, I highly recommend taking some of the neighboring color and adding it in with the color you are hesitant with. This will tone down, and help bring the color into the family.

OR… another option, which you’ll see in the second picture above, let your middle color slide down on the glue and creates a drip effect. This will help from creating a stark line that can potentially form with colors of glitter that compete with each other.

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Making Your Own Blend

As I mentioned above, you can blend your colors together. This green that I made is a perfect example of what happens when you blend.

The only green glitter I had on hand was a lime green that I bought from a spring line of glitter. There was no way that I could make that Easter egg green work in a fall theme. So I grabbed my blue and purple glitters to blend a darker green. If you look closely at this picture, you might be able to pick up the different colors. Around the middle, you’ll see some grains of blue that has a turquoise to it. And then around the perimeter you see the darkness of the purple glitter.

Maybe, you don’t want to make your own darker shade of green. Maybe you want a different color. How do you mix it?

Think about mixing paint and how when you use primary colors (red, yellow, blue) you make secondary colors (orange, green, purple). Glitter is going to work in the same manner. The big difference is that you’re not changing the individual grains of glitter to a new color. You’re creating the illusion of a new color by mixing different colors.

For the green that I made, I used the blue to take away the brightness of the lime. These two colors still have a fresh spring green color, so the addition of a darker color, like purple, makes the green dark. I didn’t use precise measurements. I added a little bit at a time so I don’t use my whole glitter stash and run out of colors to make corrections. Over all, it came down to the ratio of the lime taking up 50-60%, blue 30-40%, and purple 10-20%

The cherry red that I mentioned earlier, I partnered it with maroon that I absolutely love. The thought crossed my mind that I might need to make more of it because I bought it last fall and haven’t seen it since. My plan was to take the cherry red, mix a little bit of navy blue glitter (bright reds have an orange base and rich reds have a blue base–my reason for adding blue), and then black to get the red darker without changing the base color of the read. Brown would be an option if I wanted a lighter maroon. But for this dark maroon, black is the go to glitter.

The added bonus of mixing your own glitter blend is that you add dimension and something dimension to look at. Don’t get me wrong, glitter is enticing enough on its own. But the next time you play with glitter, mix a small batch of a color and look at it in comparison to the original flat color. You’ll understand what I’m talking about when it gives you something a little more.

Other Ideas

Before I close this post, I want to offer one more idea of what you can do to give your glitter work some dimension and adding a little “extra” to your work.

Take a look at “Give Thanks” in the picture above.

This one is a bit more subtle than the striped ombre, so you may need to get a closer look at this wooden tag. The picture doesn’t do it justice in comparison to what it looks like in person. But this is two different shades of gold. The darker (and more orange) gold is applied as a shadow on the left hand side of each of the letters.

Earlier I mentioned shaking glitter in a v or w shape to create a chevron pattern.

You can easily make poke a dots by dropping spots in one color and then surrounding the dots with a different color.

Feel free to not just play with colors, but also experiment with shapes and patterns. Depending on what pattern you’re making, you may need to be specific with how you lay down your glue. But there is no reason why you can’t make leaves, plaids, or anything else in glitter. If it becomes difficult to maintain shapes, take breaks between your layers. This will keep the glue from running and distorting the shape/pattern you make.

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A Finishing Tip

The one disadvantage to working with fluid glue is that your glue might shed glitter because it doesn’t have the stick to keep the glitter in place. There are a couple of options that you have to seal in your glitter to minimize or eliminate shedding.

The first thing that I used, many many many years ago, was hair spray. This has the least about of stick out of the options I’ll share. It’s great if you’re in a pinch and don’t have any other products on hand. But the only shedding this is going to stop is contact shedding when you tap it. There will be some transfer if you run your finger in the glitter.

I love using clear acrylic spray! This is a great sealant that dries in a couple of minutes. The disadvantage is the fumes. But those disappear when the spray paint cures. I really don’t notice glitter loss through touch or contact/tapping. The finish is also the best option. However, you might see a dulling of the glitter’s sparkle depending on which brand you use.

If you have the time, polycrylic paint is the best as far as it goes to completely seal in all the glitter. This can be the determining factor if someone in your house, or the person you’re gifting too, hates glitter with a passion. This is completely sealed and there is no glitter loss. Just be aware that the fumes are strong and curing can take 24-48 hours. But the fumes will dissipate. I highly recommend that you dab polycrylic on. If you try to brush it on, you will get streaks, glitter will clump on your brush, and there will be brush tracks in your glitter.

How do you like using glitter?

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Reverse That Frame

While getting ready for an upcoming Maker’s Market, I’m reminded of a time I was in a crafting group. A couple of times a year the group would do a special session of crafting binges. One of the first things I made with this group was a reverse canvas. It’s one of the simplest crafting transformations that is so satisfying.

If you haven’t heard of a reverse canvas, or have yet to make one yourself, grab a framed canvas, screw driver or staple remover, paint, exacto knife, and stapler or staple gun. This is all you need to make your own reverse canvas.

At any of your craft stores, or even dollar store, you can find two types of canvases: frames canvas and canvas flat. The flat looks like canvas that has been glued to a piece of cardboard. (You can make this in a similar fashion as you’ll see with this reverse canvas.) A canvas frame is the one where you see the canvas stretched over a wooden frame.

First, you want to flip your canvas frame over and remove the staples from the back. I’ve had some frames where this was easy. And there have been a few frames where I had to work to get those staples off. If you find that the staples don’t want to release from the wood, grab a piece of needle nose pliers. This will give you enough leverage where you can wiggle the staples out.

Don’t worry if your prying scars this side of the frame. With all the holes and splintering, this side of the frame will remain the backside that no one will see.

I’ve heard many crafters recommend using the exacto knife and cutting the canvas free from the frame by cutting on the side of the staple between the staple and the outside edge of the frame. If you don’t want to spend the time removing the staples, this is the method that you will love. The down side of this option is that the finished back of your reverse canvas is not going to be smooth as it could be But as I mentioned before, no one is going to see the back of the frame once it’s on the wall.

The rest of this walk through is under the assumption that you remove the staples. There are also other ways of reapplying the canvas, such as using hot glue, but I’m going to show you how to stretch the canvas. This is going to give you the best quality and make it look less DIY and more professional in finish.

Paint to Dress It Up

Of course you have the option to paint your frame and canvas at any point in time. My timing of choice is to paint the frame and canvas once they are separated from each other.

As you can see here, for one of my Market products, when you paint them separately, you are free to personalize and customize your project anyway that you want.

If you want to spray paint, you can. You can use glitter or other crafting medium. When the pieces are separated, you will never have the accidental over spray or find the need to tape off to protect one element while you’re working with the other. And if you want to try your hand at free hand painting one element, you can work absolute certainty of the work that you’re doing.

Once canvas and frame are dry, you are ready to put your canvas back on your frame.

TIP: If you wanted a pattern on the canvas (like I did above), make sure you take a look at your frame on top of your canvas. Make sure your lines, design, landscape or portrait are lined up like you want them in the frame. You may find that what you painted on the canvas doesn’t line up inside the frame like it did when you were just looking at the canvas.

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It’s Time to Stretch

If you pre-lined up your canvas and frame (as described in the tip above), you will need to hold on to both pieces and carefully flip it over. Make sure that the canvas doesn’t slip. If it does, you may need to reposition it.

If you have a solid canvas, or one that doesn’t need positioned, start of by putting your frame front side down on your table or work surface. The staple holes side should be up. Next, place your canvas down with paint side down.

Find the center of the long side of your frame and staple your canvas to that spot.

Next, find the center of the other side of your frame and pull the canvas tight to that spot. You may need to use both hands. This will give you control in how tight you will make the canvas in the end. Once you feel the tension, staple the canvas, tight, to the center of that frame arm.

Find the center of the short end of your frame. Pull the canvas tight to that point. You should notice that you can pull it more than you did with the first pull you made. Staple it in place.

Find the center of the last side of the frame and pull the canvas tight. At this point, I start pulling the canvas to the outside edge of the frame and using the frame edge as leverage to keep the canvas tight as you staple.

As you look at these pictures you are going to really see the warping in the canvas just from these initial 4 staples. This is normal and in no way reflects the final product. In fact, the more that I pull the canvas, the more tension that I add. I find that if I gradually add more tension as I go the least likely I am of ripping my canvas from pulling too hard.

After these initial staples are in place, the next step is to aim your stapler about 2 inches to the side of center staple. Pull and stretch the canvas toward the nearest corner, in a diagonal pull. The original pulls were in an up/down directional pull. But after you place the first 4 staples, you want to pull diagonally to prevent bubble like ripples from forming around already set staples.

Another benefit to diagonal pulls is that this is how I get my canvas to keep tight like the skin stretched on top of a bongo.

Another truck to keeping a tight canvas is that as you start pulling diagonally, you want to alternate directions that you’re pulling in.

For example, if your frame (after the 4 initial staples) is orientated in front of you with the long frame size on the top and the short on the sides, keep your frame in this orientation. Start with a staple 2 inches to the right of the staple on you top long side. Then drop to the bottom long side and pull the canvas to the bottom left corner with adding a staple 2 inches to the left of the the bottom long frame side center staple. Then for the short frame side on your right hand side, pull the canvas toward that right bottom corner and place your staple 2 inches below the center staple. Finally move to the left hand side short frame side, pull the canvas toward the upper corner , and place the staple 2 inches above the center staple.

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With these four staples in place, we’re now going to staple on the other side of the center staple to balance out the tension that we’re putting in the canvas.

The last pull was toward the upper left corner (on the short side). So now we’re going to go to the bottom right corner (on the long side). Pull to the lower right corner and staple to the right of the bottom center staple. Next, pull to the upper left corner and staple to the left of the upper center staple. Then pull to the upper right corner and staple above the right center staple. Finally pull to the lower left corner and staple bellow the left center staple.

At this point the canvas has an even pull and it’s a good time to check the front to see if any adjustments need to be made. If there is no design to the canvas you can keep stretching and stapling in opposite directions until the canvas is fully attached to the frame.

If you have a design, now is a great time to check to make sure that you are stretching with enough balanced tension that the design is still straight.

Is the design pulling or warping toward a short/long side of the frame? Then you pull the canvas tighter in the opposite direction. This will take pulling toward the two corners opposite of where it was gravitating toward.

If the design is gravitating toward a corner, you want to pull tightest on the opposite corner to bring the design back to its original orientation.

Once you’ve made the corrections that needed to be made (keep checking back to the front after each set of 4 staples to keep an eye on what you need to do), continue with the stretching and stapling until the canvas is reattached to the frame.

Time for a Trim

As you see here, all of the original funkiness from the 4 original staples has worked itself out. The center is smooth and tight. On the outside edges of the canvas you can still see bunches and creases of where I pulled tight against the frame (using it as leverage to pull the canvas tighter). None of this matters because we will trim off the excess canvas.

Flip the canvas over so you can see the front face. Grab your exacto knife. You are going to cut into the canvas at about a 45° angle behind the frame. This will cut enough of the canvas back so that you won’t see the edges from the front of the frame. The benefit of the exacto knife is that you can run the flat edge of the knife against the edge of the frame and cut a straight line.

It is possible to cut away the excess canvas with a pair of scissors. You will want to pay a little extra attention to where you are cutting. You will want to get the scissors in there so that you are cutting behind the frame. But at the same time you want to make sure that you aren’t cutting too close to or between the staples. Just like any taunt fabric, canvas will rip along the grain. This is particularly true when you have the tension that we built in with stretching the canvas.

And now you see the final product with the excess canvas cut away!

This particular canvas is ready for the next step in the product that I’m making, which is a 3D wall art.

But you can consider this as a crafting blank that you can add anything to it. You can stencil paint a design on it. Maybe you want to mod podge a photograph or note from a loved one. Or there could be a decal that you want to attach to this canvas. You could also have an early childhood stick figure drawing from your child or grand child that you want to frame in a unique way. This may be what you’re looking for.

There are so many different things that you can do with a reverse frame. You are only limited by your imagination.

One last thing I want to mention, before you add your favorite decorations to this canvas, think about how you want to hang this reverse canvas. The frame can stand by itself on a counter or table top as long as what you add is very light. Otherwise, like in my case of 3D art, you will want to add a mode of hanging.

Some options for hanging your art are:

  • drill a couple of holes into the back of the frame where finishing nails can hold up your frame on a wall
  • staple a long bit of ribbon to the two top corners of your frame
  • nail a portrait anchor on the back

You’re not limited to these ideas. But they are a few of the most common ones.

How do you use reverse frames?


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Surprise Gift

It never fails that a moment in life comes when you forgot to get someone a gift or you received a last minute invitation. What do you do?

There’s a couple of things that I keep in my craft room all the time: fabric, ribbon, card stock, picture frames, paint, beads… You get the idea.

We had the privilege of meeting our neighbor’s parents, who came for a visit from halfway around the world. It’s amazing to see how much you can connect with people, especially when you don’t speak the same language. And even more amazing when you find out that you share some similar interests and find commonality.

It’s even more special when you receive an invitation to be a part of celebrating their 60th wedding anniversary.

I’ve been married for over a decade. So much has changed in the world since that day. I tried to think of how much the world will change in another 50. It blows my mind.

What is it like to celebrate a 60th anniversary in another country–one you may or may not have thought you’d be in when you were younger?

Of course I couldn’t pass up an opportunity to celebrate and honor a long lasting relationship like this. And while thinking about how to give a meaningful gift, with little personal history, and something that’s not burdensome for when they return home, I chose to focus on the memories. Celebrating the last 60 years of their memories together and giving them a memento of this trip, this moment in time.

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My husband had taken a group picture at the end of a visit where we had them over and made for them their first American meal. I chose a picture because it travels well and is minimalistic for those who gravitate to that way of life. But I also couldn’t pass up giving some flowers because it’s something that brings happiness in the moment.

So for this quick to gather gift that’s pack full of memories and meaning, here’s an idea for you to consider the next time you need to find a gift in under two hours.

Pick a photo of you and the other person from your phone and send it to a local place that can print it out in an hour.

While that is processing you can stop by a shop, florist, road side stand, farmer’s market, or garden and gather some flowers that have meaning.

In this instance I chose sunflowers because with our guests, they saw the sunflower I had grown from seed and we talked about sunflowers and sunflower oil for quite some time. Sunflowers may not be their favorite flower, but in this gift, it’s a nod to something we connected with in the middle of a language barrier.

It just so happened that at home I had a vase on a shelf that I was saving for a time to reuse by gifting to someone, and I had some fabric with sunflower print on them.

As you notice here, sunflowers can be awkward if they’re not bundled. So I decided to bundle the flowers with a strip of cloth.

For a professional look of wrapping a bouquet, you want to first trim down the fabric you want to use into a strip. No matter how nicely you cut, the fabric will always fray. To give a clean edge, you want to press the strip of fabric. First, fold and press the raw edge. Then you’ll tri-fold and press the fabric into a wide ribbon. Now the edges won’t fray on you and you didn’t have to sew.

To make this wrap, you want to put one edge of the ribbon between the stems. Then you can wrap it tightly around the bouquet without the ribbon slipping on you.

When you get to the end of the ribbon, you want to fold the ribbon up at a 90° angle. The tuck this final edge down behind the wrap, between the stems. If the wrap is snug, it will hold the ribbon in place without using tape, pins, glue, or any other fastener.

The beauty of making a wrap like this is that the person you are gifting this to can use the fabric after the flowers are long gone. If this person is sentimental, they will no doubt find a way of repurposing and reusing this strip of fabric.

Don’t forget to use a small scrap of the fabric to make a card that matches.

Here, I took a piece of 8.5 x 11″ sheet of card stock and trimmed along the short edge a strip 4″ wide. This strip I folded in half to make a blank card that is 4 x 4.25″.

Using the left over sunflower fabric, I decided how wide of a ribbon I wanted to glue to the front of the card. You can be as precise as you want to be. I chose to wing it and just cut the fabric into a small strip.

This time I had to be careful about the edge because there’s no room for a folded seam. This fabric print looks good with a frayed edge, so I saved time by just removing the stray threads and embrace the fray. (As opposed to if I need to have a very clean edge and have to cut a straight edge.) Now the sides and bottom of the card need to have a straight edge, so I leave this ribbon large and will cut it down after I glue it to the cardstock.

For gluing the ribbon down, you want to decide where you want to place it and mark off the area. You will need to liberally apply glue to prevent fraying on the card, so drawing a glue line is very important. Make sure that where you draw the line will be hidden behind the ribbon, so make sure the line is lower than where you want it. Apply the glue and spread it evenly across the whole section, even over the edges. If you don’t put glue on the edges, the fabric will lift from the cardstock.

Gently lay the ribbon on top of the glue and make any adjustments that you need. When you are satisfied, take a scraper or plastic card, place it in the middle of the ribbon and press it to the edge of the card. Then place the scraper/card in the middle and press down in the opposite direction. This will secure your fabric to the card and remove any air pockets that may have been present.

Now that your ribbon is secure, you can flip the card over. With a pair of scissors, trim off the excess fabric.

I trim from the back because I can see exactly where the edge of the cardstock is.

The blank card is now ready for you to write you message on.

By now, your pictures should be ready to pick up. Once you have them, you can place them in a picture frame and you’re ready to bag or wrap your present.

From this gift given, the part of the gift that meant the most was the blessing that I wrote inside the card.

In today’s world, a blessing spoken over another person is something that’s not talked about. But it’s the most powerful gift that we can give another person. And to have those words writing for the person you’re gifting to read over and over again is life changing.

If you are unfamiliar with a blessing, it’s what you tell someone that you see in them now, but you also what you desire for their future. Instead of “I hope you have a happy birthday” or anniversary, I tell the person what I want to see in their lives for this coming year or the years moving forward.

In a time where people are struggling to see their purpose in life, why they matter, the most important thing you can give a person is a vision of something to look forward to. And the best part about a blessing that you speak over a person is that it’s not something that can be bought. It shows the person that you see them, you value them, and that they have a purpose to live for.

Whether you’re looking for making a meaningful gift on a tight budget, don’t know what to give a person, need an impactful last minute gift, or any other reason, know that you can speak into a person’s life and it means more to them than anything else you give them. So no matter what your gift giving situation is, know that a blessing from you can be the most impactful thing that you can give another person.

Never underestimate the power of your words.

And don’t hesitate to gift a blessing!


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One response to “Surprise Gift”

  1. Roy Avatar

    Hi to every one, tthe comtents prsent aat this web pzge are really remarkable foor peolle knowledge,
    well, keerp up the good wotk fellows.

    Like

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Quick Accent Piece

The one thing about approaching holidays is that you really get smacked in the face with everything that needs to be done.

Whether you’re decorating sideboards for an Easter get together or just looking for something quick that fits in a space as small as a window sill to add a little color before spring finally unfurls. This quick craft is for you.

What you need:

  • 1 Stemless Wine Glass
  • 1 Bag of stones 18 oz/794 g
  • 1 Faux Succulent
  • Any other accent piece that you would like to add (I chose a glittery bird)
  • Glue Gun
  • Accent Glitter

5 Minute Version

If you just want to toss something together, all you need is the glass, rocks, and succulent.

The succulent that I chose had a very thick stem. Because it was sturdy, I could pour the rocks in the glass and push the succulent stem into the rocks and moved on. (If the rocks have resistance, give the succulent stem a little swirl and it will sink right in.)

For whatever reason if the succulent just does not want to go into the rocks, never fear. Pour out the rocks with the exception of some in the bottom (or the level that you can easily push in the succulent). Then lift up the leaves on one side (and then the other) to add the stones in, around the stem.

Want to use real succulents?

You can do this using a real succulent of your choice. Make sure you verify if the succulent you want to use can life in rocks or if it needs cactus potting soil.

If your succulent needs soil, but you prefer the look of the rocks showing through the glass, you will need to take a little extra time layering the rocks outside and putting the soil in the center

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Ten Minute Version

Follow the directions for the 5 minute version to get the glass filled and succulent set. The remaining time is dressing up accent piece that you are adding.

For example, the glitter bird that I’m using came from the dollar store and I wasn’t 100% satisfied with it. If I had feathers in my crafting room, I would have added feathers for the wings as well as the way it was set up with feathers on the tail. Unfortunately, I don’t keep feathers. So I needed to pull off the pink ones that came with the bird. The black eyes also seemed to stick out awkwardly. To remedy this, I grabbed my glue gun and black glitter and added glitter detail work to add dimension and character to the bird.


Thanks for spending a few minutes with me today. If you’re anything like me, you have a list as long as your arm to get done in less than 48 hours. My kiddos always look forward to a newly designed shirt. I haven’t got a fully developed idea for that yet. But I do have a spring edition ready to go dressing up some sock bottoms. They enjoyed the ones that I made for them for christmas. So I thought I would make a few more for them. You can check out sock designs here:

What are your Easter or Resurrection Sunday Traditions that you do with your family?

I’m always looking for new ideas!

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2 responses to “Quick Accent Piece”

  1. Naoma Avatar

    I truly enjoyed reading this article and learned some useful information. Thanks for sharing your insights with your readers.

    Like

    1. Pacific Northwest Event Design Avatar

      Thank you for reading and commenting. I love hearing from those who find me.

      Like

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Space Saving Spring Decor

Depending on the space you’re looking to decorate for spring and Easter, you might find that you want a little sparkle in a small place. Maybe it’s a window ledge, a office desk corner, a mantel piece, or just a side table. This is something quick that you can put together and adds as much or little color as you like. The best part is that with the exception of glue drying time, you can have this project done in under an hour!

Materials Needed:

  • Clear Glass Salad Plate
  • Clear Glass Cylinder Container (with lid)
  • Glitter (color of choice)
  • Glitter Glue (complementary color)
  • Elmer’s Glue
  • Paint Brush
  • Paper and Wire Decor Eggs
  • Tall Candles (colors of choice)
  • Fairy Lights (optional)
  • Polycyclic or Clear Acrylic Spray Paint (optional)
  • Vinyl Decals/Stickers (optional)
  • Silk Flowers (optional)

Everything you see here I sourced at my local dollar store, with the exception of my Elmer’s glue and polycyclic. Hello mom of young children here! I found that I’m least likely to cry with accidents when I buy things from the dollar store. And accidents happen.

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Let’s Make It

Jar Stand

This one is a multifunctional component. I’m showing you how this holds a decor item, the paper and wire eggs. Instead of the eggs, you can use the plate for treats. Or you can set the plate aside and use the jar as a plate holder for part of your Easter Brunch.

  1. Inside the glass jar paint in your glue in the bottom portion of the jar. I used a yellow glitter glue to complement the green glitter. When using glitter glue, it’s important to pat the glue on your project and not paint it on. This type of glue does not have the holding power that Elmer’s glue has. I chose to stop the glue a little over halfway up the jar and stroke upwards to create a grass like effect. If you want to use Elmer’s glue you’ll have a little better control over the glue and a quicker dry time. Just make sure to add a little secondary color of glitter into your original glitter choice. This will give dimension to your color and keep it from becoming flat looking.
  2. Dump a good portion of glitter into the bottom of your jar and swirl it around on top of the glue. For the sides of the jar, I turned and tilted the glitter from the bottom of the jar down toward the mouth. I also hit the sides as I turned the jar, so that with it came to knock out all the excess glitter, there was very little that came out.
  3. Allow to thoroughly dry.
  4. You may find that you need a dry loose bristle brush to brush out some stray glitter that likes to stick to the clear glass.
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Egg/Treat Plate

In order to keep this plate safe for treats, make sure to apply the glitter to the underside of the plate. This makes the face hand washable.

  1. Apply a thin layer of Elmer’s glue to the area of the plate that you want to add the glitter. For me, I love the silver coloring of my jar’s lid and want that to shine up through the bottom of the plate. So I only applied glue to the lip of the plate.
  2. Sprinkle glitter over the wet glue. The more thorough you are on the shaking off of excess glitter makes the final step easier to apply without lifting the glitter.
  3. Once the Elmer’s glue is dry, seal in the glitter with polyclinic sealant or clear acrylic spray. This is an important step if you want to make sure that you won’t leave glitter trails when handling the plate. If you choose to use polycyclic, you want to tap the sealant on instead of brushing. Brushing actually ends up stripping glitter off of the glass. If you tap it on, the only glitter that comes off is whatever is loose to start with. If you’re like me and want to minimize the amount of glitter loss, clear acrylic spray is perfect. There is no loss. Plus the acrylic spray has the additional bonus of retaining the sparkle of the glitter more.
  4. Allow to thoroughly dry.
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Assemble the Accessories

For my display I chose to go with the multi colored paper and wire eggs and different pastel colors of tall candles. This is where even more personalization can happen. If you have rattan balls, you can use those here and keep with white candles to keep a clean minimalistic look. (In this instance a white frosted paint or white glitter might be your choice of decorating the jar and plate.)

For the candles, if you choose to go the color route, you can mute the colors by frosting the outside of the glass.

Or perhaps you have ribbon from other decor you already have up. You can hot glue a band of that ribbon around the candle.

For this set, I’m going to apply vinyl decals onto the glass. Also I’ll apply a decal on the jar.

Coming back to the jar, you might choose to further decorate the inside. Perhaps you want to add battery powered tea or short pillar lights. Maybe you love fairy lights. (For this one I would recommend hot gluing the switch the bottom side of the lid. This allows you to turn on the light just by lifting the lid and not having to fish for the switch on the bottom of the jar.) You could be a flower person. You could arrange your favorite silk flowers inside. Combined with fairy lights could be very dreamy looking. I think I’m going to have to find where I stashed my silk butterflies. The wing span is about 6″ and I could arrange 1 or 2 butterflies on the inside and have a little whimsy on the inside of my jar.

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Put It All Together

Even with all the different ways of personalizing this project, it’s all going to take on a different life depending on how you will set this up. Will you use a colorful table runner? Or maybe you’ll display this set with absolutely no further modification. I can totally see the white frost, rattan balls, white candles set on a reclaimed wood side table.

How will you set this up in your home?

Vinyl Decal designs can be found here:

Easter Candles (Decal)

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